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  1. 20 de nov. de 2004 · Vir Heroicus Sublimis is so large that when the viewer stands close to it, as Newman intended, it creates an engulfing environment—a vast red field, broken by five thin vertical stripes.

  2. Vir Heroicus Sublimis is a 1951 painting by Barnett Newman, [1] an American painter who was a key part of the abstract expressionist movement. Vir Heroicus Sublimis —"Man, Heroic and Sublime" in Latin—attempts to evoke a reaction from its viewers through its overwhelming scale (his largest canvas yet at the time he released it ...

  3. ‘Vir heroicus sublimis’ was created in 1951 by Barnett Newman in Color Field Painting style. Find more prominent pieces of abstract at Wikiart.org – best visual art database.

  4. Barnett Newman, «Vir, Heroicus, Sublimis». Óleo sobre tela, 1950. Julián González Gómez. El título de esta obra alude a un hombre en la mejor época de su vida, siendo a la vez heroico y sublime. En efecto, el sustantivo Vir en latín significa un hombre adulto, un guerrero y de ahí los atributos que forman su unidad identificativa.

  5. 26 de feb. de 2019 · Vir heroicus sublimis (1950/51). Barnett Newman. Óleo sobre Tela. 242.3 cm × 541.7 cm. MoMA. Nueva York. Barnett Newman es uno de los artistas más importantes del color field painting, una de las tendencias dentro del expresionismo abstracto. Color field painting quiere decir “pintura de campos de color”.

  6. Barney Newman is my most unforgettable character. He was one remarkable human being. I loved the man deeply. Pollock introduced me and he said, "Here's somebody's work you should see." And I looked and I got out of there as fast I could. And I'm walking down the street and I said to my wife, "The emperor's clothes. Nothing there." I couldn't ...

  7. Vir Heroicus Sublimis is a Minimalist Oil on Canvas Painting created by Barnett Newman from 1950 to 1951. It lives at the MOMA, Museum of Modern Art in New York. The image is © Barnett Newman Foundation / ARS New York, and used according to Educational Fair Use, and tagged Abstract Art.