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  1. Kathy Yaeji Lee (en hangul, 캐시 예지 리; Nueva York, 6 de agosto de 1993), conocida simplemente como Yaeji (en hangul, 예지), es una cantante, artista visual y productora estadounidense de ascendencia surcoreana. Su obra está especializada en música electrónica y experimental, con letras en inglés y coreano.

  2. en.wikipedia.org › wiki › YaejiYaeji - Wikipedia

    Kathy Yaeji Lee (Korean: 이예지; RR: I Ye-ji;, born August 6, 1993), known professionally as Yaeji, is an American singer, DJ, and producer based in Brooklyn, New York City. Her style blends elements of house music and hip hop with mellow, quiet vocals sung in both English and Korean.

  3. With a Hammer is the debut studio album by American musician Yaeji. It was released on April 7, 2023, through XL Recordings.

  4. fr.wikipedia.org › wiki › YaejiYaeji — Wikipédia

    Biographie. Jeunesse. Yaeji, EP2 et What We Drew 우리가 그려왔던. With a Hammer. Discographie. Mixtape. EPs. Notes et références. Liens externes. Yaeji. modifier. Kathy Yaeji Lee, dite Yaeji, est une auteure-compositrice-interprète, disc jockey et productrice américaine née le 6 août 1993 à New York . Biographie. Jeunesse.

  5. en.wikipedia.org › wiki › Yaeji_(EP)Yaeji (EP) - Wikipedia

    Yaeji is the debut extended play by South Korean-American house music producer Kathy Yaeji Lee, known by her stage name as Yaeji. Written and produced by Lee and Nick Sylvester, [1] the EP is a lo-fi house record with minimal structures and spoken word lyrics in a combination of Korean and English. It was released by the label ...

  6. 4 de abr. de 2023 · Similarly, when Yaeji was writing the songs, she realised that her anger is subdued and, at times, manifests itself as calm and positive: “for an angry album, it turned out pretty chill”, she ...

  7. kraejiyaeji.bandcamp.com › album › with-a-hammerWith A Hammer | Yaeji

    7 de abr. de 2023 · Sold Out. With A Hammer is the debut studio album by New York singer-songwriter Yaeji. “With A Hammer” was composed across a two-year period in New York, Seoul, and London, begun shortly after the release of “What We Drew” and during the lockdowns of the Coronavirus pandemic.