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15 de dic. de 1998 · Roger Ebert December 15, 1998. Tweet. Lew Grade, a titan of the British entertainment industry, died Sunday in London at age 91. For many years, he was a colorful fixture at the Cannes Film Festival, where after the box office failure of his film " Raise the Titanic !" he held a press conference to announce, "It would have been less costly to ...
The credits name Lord Lew Grade and Elliott Kastner. They've got a tidy little partnership over in England that's well enough financed to chum out about a dozen international releases a year, some of them as good as " The Muppet Movie ," most of them as bad as "Saturn 3."
Film critic Roger Ebert gave the film one star in his review, criticizing its screenplay for having a "shockingly low" level of intelligence, citing moments disregarding the laws of physics, the love triangle between Douglas, Fawcett and Keitel, as well as other details.
The producer, Elliott Kastner, comes by with Sir Lew Grade, the British tycoon. He has a black suit, a black tie, a white shirt and a whiter face. 'I know nothing about motion pictures,' Sir Lew says. 'What I know is entertainment: Ferris wheels, pony rides.'
10 de may. de 2012 · THR: The festival used to be dominated by colorful, roguish producers such as Sam Spiegel, Sam Arkoff and Lew Grade, who exemplified the hustler side of Cannes. What do you recall of them?...
9 de abr. de 2013 · Falllecido el 4 de abril de 2013 a los 70 años, Roger Ebert fue uno de los más reconocidos críticos cinematográficos. Ebert fue uno de los críticos de cine más confiables, ganador del Premio Pulitzer en 1975 por sus columnas en The Chicago Sun-Times, aunque se publicaron en más de 200 periódicos de Estados Unidos y otros países. En el 2005 fue el primer crítico en ser honrado con una ...
Stanley Donen's otherwise witty and diverting science-fiction thriller Saturn 3, a parable of jealousy set on a remote, futuristic Eden suddenly contaminated by insane lust, suffers desperately for the lack of an epilogue. As a result, an hour and a half of tense, funny sexual melodrama is squashed flat by a dud of a fadeout. [18 Feb 1980, p.B1]
