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  1. Nizami Ganjavi (Persian: نظامی گنجوی, romanized: Niẓāmī Ganjavī, lit. 'Niẓāmī of Ganja'; c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Muslim poet.

  2. Nezâmí-ye Ganŷaví (azerí: Nizami Gəncəvi, persa: نظامی گنجوی; kurdo: Nîzamî Gencewî, 1141—1209), o Nezāmi (farsi:نظامی ), cuyo nombre formal era Niżām ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakī ibn-Mu‘ayyad, es considerado el más grande poeta épico romántico de la literatura persa, [1] quien aportó ...

  3. Neẓāmī (born c. 1141, Ganja, Seljuq empire [now Ganca, Azerbaijan]—died 1209, Ganja) was the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. Little is known of Neẓāmī’s life. Orphaned at a young age, he spent his entire life in Ganja, leaving only once to meet the ruling prince.

  4. academia-lab.com › enciclopedia › nizami-ganjaviNizami Ganjavi _ AcademiaLab

    'Niẓāmī de Ganja'; c. 1141– 1209), Nizami Ganje'i, Nizami o Nezāmi, cuyo nombre formal era Jamal ad-Dīn Abū Muḥammad Ilyās. ibn-Yūsuf ibn-Zakkī, fue un poeta musulmán del siglo XII. Nezāmi es considerado el mayor poeta épico romántico de la literatura persa, quien aportó un estilo coloquial y realista a la epopeya persa.

  5. 15 de may. de 2023 · Khamsa (also known as Quintet or Panj Ganj) is the best-known work of Nizami Ganjavi (c. 1141-1209 CE) and without a doubt one of the most prominent works of Persian literature. Written during the last decades of the 12th century CE, the Khamsa of Nizami contains five poems and approximately 30,000 couplets.

  6. 29 de ene. de 2021 · La obra de Nizami Ganjavi, considerada la cima del Renacimiento Oriental temprano, reflejó las ideas sociopolíticas, sociales y espirituales más humanistas, universales de su tiempo. Para Nizamí Ganjaví, el criterio más alto son los valores humanos.

  7. A collection of essays on the twelfth-century Persian poet Nizami Ganjavi, exploring his themes of love, women, science, and rhetoric. Edited by Kamran Talattof and Jerome W. Clinton, the book also includes a bibliography of Nizami's international recognition.