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  1. Año de ingreso: 1997. Nº de registro: AD00214. Donald Judd fue uno de los forjadores de la escultura minimalista, que definió junto con Robert Morris desde la reflexión acerca de los problemas teóricos y condiciones de percepción de la obra de arte.

    • Es

      Es - Donald Judd - Untitled (Floor Sculpture Series) (Sin...

    • Donald Judd

      Donald Judd Excelsior Spring, Misuri, EE.UU., 1928 - Nueva...

    • Morris, Robert

      Untitled (Box for Standing) (Sin título [Caja para estar de...

    • Andre, Carl

      Andre, Carl - Donald Judd - Untitled (Floor Sculpture...

  2. Donald Judd. Untitled. 1967. Not on view. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.”. Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning.

  3. His primary form became the box—solid or hollow, enclosed or open—often in exacting, serial arrays. Untitled comprises Judds seventhstack,” a compositional mode that became the signature manifestation of his ideas.

  4. Judd exhibited this work in his first solo exhibition at Leo Castelli Gallery, New York (Don Judd, February 5–March 2, 1966), with other works from 1964 and 1965. It is the first multi-unit work that Judd made for the wall.

  5. In Untitled, Donald Judd paired an unpainted, matte-finished hollow transversal beam with painted, shiny, encased L-shaped brackets. These support elements set up a sequence of solids and voids that appears irregular but is conceived with mathematical exactitude.

  6. We have identified these works in the following photos from our exhibition history. Donald Judd. Untitled. 1968. Brass. 22 × 48 1/4 × 36", 240 lb. (55.9 × 122.6 × 91.4 cm, 108.9 kg).

  7. Donald Judd was one of the shapers of Minimalist sculpture, which he helped define along with Robert Morris from a perspective that considered the theoretical problems and conditions of perception of the artwork.