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  1. es.wikipedia.org › wiki › Piedmont_bluesPiedmont blues - Wikipedia, la enciclopedia libre

    El Piedmont blues es un género de música blues, popular durante los primeros años del siglo XX y caracterizado por una particular técnica de tocar la guitarra sin púa.

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  3. www.wikiwand.com › es › Piedmont_bluesPiedmont blues - Wikiwand

    El Piedmont blues es un género de música blues, popular durante los primeros años del siglo XX y caracterizado por una particular técnica de tocar la guitarra sin púa.

  4. en.wikipedia.org › wiki › Piedmont_bluesPiedmont blues - Wikipedia

    Piedmont blues (also known as East Coast, or Southeastern blues) refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern supports a syncopated melody using the treble strings generally picked with the fore-finger, occasionally others.

  5. guitarrasinlimites.com › blues › que-es-el-piedmont-blues¿Qué es el Piedmont blues?

    28 de oct. de 2016 · En esta lección de guitarra aprenderemos a tocar la canción Bad Feeling Blues de Blind Blake, un guitarrista de blues que tocaba un estilo llamado Piedmont blues, surgido a finales del siglo XIX.

  6. www.youtube.com › watchThe History of the Piedmont Blues - YouTube

    The History of the Piedmont Blues, a Journey Through the Lens of Black Artists, Feat. Music Historian Rick FranklinIntroed by Connie Robinson, coordinator of...

  7. nothingbuttheblues.com › what-is-piedmont-blues-a-beginners-guideWhat is Piedmont Blues? A Beginner’s Guide

    Piedmont blues is a distinct genre within the blues family. It stands out for its unique fingerpicking guitar style. Unlike the Delta blues, known for its raw, emotional depth, Piedmont blues has a lighter, more ragtime-influenced sound.

  8. musicmaker.org › exploring-the-roots-and-resilience-of-the-piedmont-bluesExploring the Roots and Resilience of the Piedmont Blues

    The Piedmont blues came from people living on the margins of society due to slavery and systemic racism. The music continues to exist on the fringes: of past and present, of popular culture and oral traditions.