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  1. 25 de may. de 2024 · Patti Smith’s poetic prowess shines through in Easter, as she weaves together intricate imagery and poignant metaphors to create a deeply resonant song. Her profound lyricism captures the intricacies of the human experience, inviting listeners on a journey of self-discovery and introspection.

  2. 23 de may. de 2024 · Easter is a critically acclaimed and emotionally charged song by the renowned singer-songwriter Patti Smith. Released in 1978 as the title track of her album, Easter, this hauntingly beautiful composition delves deep into themes of love, redemption, and spiritual awakening.

  3. 13 de may. de 2024 · Easter/Patti Smith Group1978) Video unavailable. Watch on YouTube. www.youtube.com. Because the Night. Patti Smith Group. ロック. ¥255. provided courtesy of iTunes. パンクの女王として高い評価を誇るシンガーソングライター、パティ・スミスの事実上の3rd *1 アルバム です。 ぶっちゃけ、 パティ・スミスはとっつきにくいと捉えられやすいアーティストで、その商業的実績の少なさから「過大評価」と批判の的に なることもしばしば。

  4. Hace 3 días · Discover the untold truth about music legend Patti Smith in this exclusive collection of rare photos. From behind-the-scenes moments to candid snapshots, thi...

  5. Hace 4 días · Estamos otra vez con Patti Smith: Porque la noche nos pertenece... Eso es, y lo que hacen es abrazar, poseer la noche con ansiedad. Como se dice en el manual [en el ‘Manual para escapar de la policía’, un capítulo de la novela]: muere de día, vive de noche.

  6. 23 de may. de 2024 · Third studio album by the Patti Smith Group, originally released in 1978. Produced by Jimmy Iovine, the album is regarded as the group's commercial breakthrough, owing to the success of the single 'Because the Night' (co-written by Bruce Springsteen and Smith), which reached number 13 on the Billboard Hot 100 and number five on the ...

  7. Hace 1 día · Harry Smith (1923-1991) worked obsessively on MAHAGONNY for over ten years, shooting it from1970-72 and editing it from 1972-1980. Based on the Kurt Weill and Bertolt Brecht opera Rise and Fall of the City of Mahagonny, the film is an epic, four-screen projection which the filmmaker considered to be his magnum opus and described as a mathematical analysis of Marcel Duchamp’s Large Glass.