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Hace 5 días · Pauline Kael’s review of Saturday Night Fever captures the raw sensuality of John Travolta’s character, Tony, a nineteen-year-old Italian Catholic from Brooklyn. Travolta’s portrayal of Tony, with his exaggerated physicality and desperate need to dance, draws the audience into the film’s pop allure. The movie explores the financial ...
Hace 4 días · Pauline Kael praises “Saturday Night Fever” for its vibrant disco scenes and John Travolta’s raw, captivating performance, capturing the romantic yearning of the seventies generation. Flow’s Poetic Journey Through a Post-Apocalyptic World | Review
Hace 4 días · May 25, 2024. Pauline Kael praises The Road Warrior for its intense, visually striking action but criticizes its lack of depth and emotional engagement, leaving viewers feeling hollow. In her review of The Road Warrior, Pauline Kael highlights the film’s intense and visually compelling nature, describing it as a seamless blend of ...
Hace 6 días · The headline on Pauline Kael’s contemporaneous review said, succinctly, “Fun Machines,” and in retrospect, maybe the fact that Kael got off board with Return of the Jedi despite loving the first two installments of the original Star Wars trilogy was a sign that this whole summer-movie thing was cooked a whole lot earlier than anyone suspected.
Hace 5 días · Pauline Kael may have claimed in her scathing 2001 review that “using movies to go on a trip has about as much connection with the art of the film as using one of those Doris Day-Rock Hudson jobs for ideas on how to redecorate your home” but TBF that is how Spacehunter is best enjoyed: as a big chunk of retro joystick nonsense yet endearingly so.
Hace 6 días · Dissenting, Pauline Kael remarked, "It's enough to make moviegoers feel impotent". According to online film resource They Shoot Pictures, Don't They?, Wings of Desire is the most acclaimed film of 1987. Bruno Ganz received positive reviews for his performance as Damiel; it was possibly his most remembered role before 2004.
Hace 6 días · Another revered member of the film world at that time, critic Pauline Kael, called the movie “an explosively funny celebration and satire of men’s daydreams.”
