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17 de oct. de 2014 · Korean-American artist Nam June Paik is considered the father of contemporary video art. We look at the artist’s ground-breaking practice that has brought technology closer to human experience.
One tower gallery will highlig tpieces from the 1950s and 1960s, which have been rediscovered and restored; early interactive video pieces including Magnet TV (1965), Participation TV (1963), and Footswitch TV (1988), accompanied by videotape and photographic documentation of original installations of this work; the Paik-Abe Video Synthesizer ...
Considerado el padre del videoarte de los años 60, Nam June Paik es reconocido hoy como uno de los artistas más influyentes de nuestra cultura y sus obras se encuentran no solo en museos sino también en importantes ferias internacionales de arte, como Frieze London.
Nam June Paik's enormous contribution to the history of late-20 th-century art largely stems from his position as the first major Video artist. His groundbreaking exploration and use of modern technologies laid the foundation for a new generation of artists in today's complex media culture.
20 de jul. de 2020 · Nam June Paik pioneered video art through his use of television and new technology. These are his most famous works.
14 de nov. de 2020 · Paik is known for his sculpture and installations employing television sets, video screens and junk assemblage, and is considered the inventor of video art. He began his career as a musician and wrote his thesis at Tokyo University on Arnold Shoenberg.
In 1988 the Hayward Gallery staged Britain’s first full-scale presentation of video art by the Korean-born artist Nam June Paik. A pioneer of video art, Paik first began modifying...
