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29 de abr. de 2011 · In the 1969 book The Architecture of the Well-Tempered Environment, architectural critic and historian Reyner Banham drew from a decade of his own writings about “environments fit for human activities”, heralding the possibilities of a technologically-driven, man-made climate that would eliminate the need for “massive ...
1 de abr. de 2011 · In the 1969 book The Architecture of the Well-Tempered Environment, architectural critic and historian Reyner Banham drew from a decade of his own writings about “environments fit for human...
In this seminal essay, Reyner Banham brings together a number of the key terms that had been gathering around New Brutalism, defining the movement in three theses: "1, Memorability as an Image; 2, Clear exhibition of Structure; and 3, Valuation of Material
7 de abr. de 2015 · The shifting positions of its main propagators, Alison and Peter Smithson and Reyner Banham, are scrutinised through a re-reading of the polemics of the period and its aftermath. Conventionally, Banham's ground-breaking essay of 1955 ‘The New Brutalism’ is used as a starting-point for a unified history of New Brutalism.
1 de mar. de 2003 · Stephen Haywood; Reyner Banham: Historian of the Immediate Future, Journal of Design History, Volume 16, Issue 2, 1 January 2003, Pages 187–189, https://doi.org
Banham reasserted the intimate connection of architectural modernism with the avant-garde artistic movements of the 1910s and 20s, emphasizing particularly the most radical ones such as expressionism, futurism, and dadaism.
21 de jul. de 2017 · In his renowned essay on ‘The New Brutalism’ in 1955, Reyner Banham defined as one of its main characteristics the notion of ‘image’. He further asserted that only ‘conceptual’ things might be considered to be ‘image-makers’.
