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The Athena Marsyas Group was a bronze sculptural group by Myron that stood on the Acropolis of Athens in the high classical period, dated to c 450 BCE. Now lost, it has been reconstructed from copies, coins, other visual sources and literary testimonia. The work depicted the satyr Marsyas picking up an aulos dropped by Athena .
Athena and Marsyas Group: Summary: Athena turns away from Marsyas, who tries to pick up the pipes that she just cast away: Object Function: Victory? Sculptor: Literary attestation to Myron: Material: Bronze: Sculpture Type: Multi-figure group: Category: Statuary group: Style: Early Classical: Technique: In-the-round: Original or Copy: Original ...
28 de mar. de 2024 · The group of Athena and Marsyas, described by Pliny, exists in several Roman marble copies. The best version of the Marsyas is in the Lateran collection, Rome; of the Athena, in a collection in Frankfurt.
Marsyas. A Roman copy of a bronze original group by Myron. The myth runs as follows. The goddess Athena invented the flute, but threw it away because it distorted her face to play it. Marsyas, a satyr, picked it up and having taught himself to play, rashly challenged Apollo to a musical contest.
IDENTIFICACIÓN: Nos encontramos ante la copia romana de un grupo escultórico conocido como Atenea y Marsías. Se atribuye, a través de distintos textos y monedas a griegas a Mirón. Se realizó hacia el 450 a. C. y se enmarca dentro del Pleno Clasicismo. Hoy, podemos contemplarlo en los Museos Vaticanos.
In Greek mythology, the satyr Marsyas ( / ˈmɑːrsiəs /; Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe ( aulos) that had been abandoned by Athena and played it; [1] [2] in the other, he challenged Apollo to a contest of music and lost his hide and life.
Subject Description: Statue of a young Athena in peplos, usually accepted as the Athena which together with a statue of Marsyas comprised a two-figure group by the sculptor Myron. The identification of the group is based on several kinds of evidence: literary references, images of the group on coins and vases, and a number of copies which ...
