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[1] Inferno 22 continues the drama initiated in Inferno 21, into which a secondary drama will soon be inserted. The canto opens with a mock-heroic passage that continues the military imagery from Inferno 21 and is a repertory of different kinds of military communication and semiosis.
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Dante’s Inferno – Canto 22. Demons Pull Ciampolo out of the Boiling Pitch by Gustave Dore. Virgil and Dante continue walking among the grafters in company with a troop of devils. Virgil talks with one of the sinners, who also plays a trick on the devils. Chaos ensues.
Il Canto è il seguito ideale della «commedia degli inganni» iniziata in quello precedente, che si arricchisce in questo secondo episodio di un nuovo protagonista (è Ciampòlo di Navarra, il barattiere che finisce tristemente tra le grinfie dei Malebranche e riesce a sfuggire loro con un inganno).
The Divine Comedy. Translated by Henry Wadsworth Longfellow. Inferno. Canto 22. I have erewhile seen horsemen moving camp, Begin the storming, and their muster make, And sometimes starting off for their escape; Vaunt-couriers have I seen upon your land, O Aretines, and foragers go forth,
Literature Notes. The Divine Comedy: Inferno. Cantos XXI-XXII. Summary and Analysis Cantos XXI-XXII. In Canto XXI, Dante and Virgil make their way to the fifth chasm, which is very dark and filled with boiling pitch. Dante compares the pitch to the material used to caulk the seams of ships.
Dante: The Divine Comedy - Inferno 22-28. A new complete downloadable English translation with comprehensive index and notes
