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  1. en.wikipedia.org › wiki › Pierre_GillPierre Gill - Wikipedia

    Pierre Gill C.S.C. is a Canadian cinematographer and film and television director. [1] [2] A Montreal native, he is closely associated with Quebecois cinema, and has collaborated with directors like Jean-Marc Vallée, Charles Binamé, Christian Duguay, Allan Moyle, and Denis Villeneuve, working on such films as Black List, The Art of ...

  2. www.imdb.com › name › nm0005602Pierre Gill - IMDb

    Pierre Gill is known for Percy Jackson and the Olympians (2023), Upside Down (2012) and Dune: Prophecy (2024). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Awards. 23 wins & 21 nominations. Photos 8. Known for. Percy Jackson and the Olympians. 7.1. TV Series. Cinematographer. 2023–2024 • 5 eps. Upside Down. 6.3. Cinematographer.

  3. 25 de abr. de 2024 · Acreditado con. Pierre Gill es un director de fotografía y director de Canadá conocido por Outlander, Un amor entre dos mundos, Colonia V, La alianza del mal (The Covenant), El arte de la guerra, Starbuck, Hitler: El reinado del mal (TV), El último suspiro, 2036: Nexus Dawn (C) y Polytechnique.

  4. Biografía de Pierre Gill y su filmografía, todas sus películas: Juana de Arco, Los detectives muertos, Polytechnique, Starbuck, Percy Jackson y los dioses del Olimpo.

  5. Descubre todas las películas y series de la filmografía de Pierre Gill. De sus inicios hasta el final de sus 18 años de carrera.

  6. 8 de abr. de 2024 · 04-08-2024 - Case Study. Shot on VENICE 2: How DP Pierre Gill Created the Magical, Natural Look of ‘Percy Jackson and the Olympians’. By: Oakley Anderson-Moore. The cinematic eye of Pierre Gill has brought us signature looks on shows like The Borgias, Casanova, and cult classics like The Covenant.

  7. 12 de feb. de 2024 · Features. Behind the Scenes: Percy Jackson and the Olympians. By Adrian Pennington 12 February 2024. Full screen in popup. 1 /35. Save article. The experience of cinematographer Pierre Gill on Disney series ‘Percy Jackson’ showed that lighting for an extensive shoot in a Volume is still work in progress, writes Adrian Pennington.

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