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We Must Become the Pitiless Censors of Ourselves is the third album by American musician John Maus, released on June 27, 2011. Its title is derived from French philosopher Alain Badiou 's "Fifteen Theses on Contemporary Art".
8 de jul. de 2011 · We Must Become the Pitiless Censors of Ourselves, his latest full-length, is the most vibrant and toothsome expression of Maus' pursuits yet. He keeps his vocals awash in...
28 de jun. de 2011 · We Must Become The Pitiless Censors Of Ourselves breaks new ground for John Maus; the shirt-pulling and air punching of his impassioned live performance is finally captured in all its frenzied appeal alongside his typically tender inner space.
Maus nicked the title “We Must Become the Pitiless Censors of Ourselves” from the work of the philosopher Alain Badou, under whom he studied at university. Like that piercing ray of light, it seems to suggest a pruning away of impurities, and a recalibration or refocusing of one’s energies.
7 de jul. de 2011 · John Maus: We Must Become Pitiless Censors of Ourselves – review. (Upset the Rhythm) Michael Hann. Thu 7 Jul 2011 17.00 EDT. T he early press about John Maus's...
We Must Become the Pitiless Censors of Ourselves is the third album by American lo-fi musician John Maus, released on June 27, 2011. Its title is derived from French philosopher Alain...
6 de jul. de 2011 · On his third album, John Maus continues his pursuit of immediacy-in-action mixed with a certain calm, developing a further tension that infuses both his music and words. Like pal Ariel Pink’s Before Today, John Maus’ We Must Become the Pitiless Censors of Ourselves is steeped in ’80’s magic.
