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Guy Stevens (13 April 1943 – 28 August 1981) was a British music industry figure whose roles included DJ, record producer and band manager. He was influential in promoting R&B music in Britain in the 1960s, gave the rock bands Procol Harum and Mott the Hoople their distinctive names and co-produced The Clash's album London Calling.
Responsable de materializar aquella apertura fue el productor Guy Stevens. Guy poseía un currículo respetable (Spooky Tooth, Procol Harum, Free, Mott the Hoople), pero además había ejercido...
28 de oct. de 2014 · Desde hace tiempo que parece que se ha extinguido la fascinante raza del productor-creador que se gestó durante los años ’60, ’70 y ’80 -sin contar la música electrónica, un mundo aparte en el que los productores son los propios músicos-.
1 de ago. de 2023 · Guy Stevens is mostly remembered as the man who produced ‘London Calling’ by The Clash or as the crazy manager and producer of Mott the Hoople.
10 de sept. de 2020 · Mott the Hoople and Spooky Tooth producer Guy Stevens was responsible for not only Mick being sacked from his pre-Clash band Violent Luck (‘Lose the skinny second guitarist!’), but he had also got wasted and made a bit of a mess of the mixes on the band’s now legendary ‘Polydor Demos’, in 1976.
10 de dic. de 2023 · Guy Stevens, a maverick in the British music scene, left an enduring legacy. From shaping the playlists of the Scene Club to influencing the roster at Sue and Island Records, his impact resonates through the careers of artists and the timeless songs he helped create.
As the fragmentary songs took shape, The Clash relocated to Wessex Studios in Highbury and employed maverick producer Guy Stevens, a man who had a unique method to inspire the punks.
