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  1. Musician, songwriter. Instrument (s) Guitar, vocals. Years active. 1964–present. William Murray Bremner (born 4 August 1946, in Aberdeen, Aberdeenshire, Scotland) is a Scottish guitarist, best known for his work in the band Rockpile and on many of Nick Lowe and Dave Edmunds ' albums.

  2. en.wikipedia.org › wiki › Kelly_WillisKelly Willis - Wikipedia

    In 2003, Willis and Bruce Robison, her husband and fellow country musician, released the record Happy Holidays, a cover album of Christmas songs. Starting in 2005, Willis and Robison appeared in television and radio commercials for the anti-allergy product Claritin.

  3. Kelly Willis is Back Being Blue, to take a color-coded cue from the title of her seventh album.It’s a shade she wears well, though long-patient fans might just say: You had us at back.They’ll take a new Willis record in whatever hue it comes, now that it’s been 11 years since her last solo release, 2007’s Translated from Love.The Austin-based singer/songwriter has hardly been MIA in ...

  4. 27 de feb. de 2021 · That's How I Got to Memphis - Written by Tom T. HallRecorded Live February 26, 2021McGonigel's Mucky Duck | Home of the Livest Music in Texas™Become a supp...

  5. Backing Vocals – Andrew Gold, Andy Sturmer, Harry Stinson, Jonell Mosser, Kelly Willis, Kieran Kane, Roger Manning* Bass – Glenn Worf; Coordinator [Project Coordinator] – Jane Oppenheimer, Jessie Noble; Drums – Harry Stinson; Electric Guitar – Billy Bremner, Michael Henderson* Engineer [Overdubs Assisted] – Dan Bosworth

  6. www.kellywillis.comKelly Willis

    Home Photos Music Tour Store Contact. ... Kelly Willis, Melissa Carper, and Brennen Leigh. Their forthcoming, six-song EP, Wonder Women of Country: Willis, Carper, Leigh, was recorded at Bismeaux on the Hill in Austin, TX in December of 2023. It features two songs by each artist, including a couple of Carper/Leigh co-writes, ...

  7. But though the tunes are her solidest yet, Don Was's Billy Bremner guitar and Jellyfish harmonies don't set them off any more clearly than Tony Brown's neoclassical taste did. That's mostly because Willis's idea of a good lyric is a simple lyric. No wordplay, no narrative, no trenchant details--just the musical statement, alive and direct.