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Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic " Burning of the Midnight Lamp ", a UK single the previous summer (1967), the extended blues jam " Voodoo Chile ", the New Orleans-style R&B of Earl King 's " Come On ", the epic ...
12 de jul. de 2021 · Electric Ladyland is a study of what the guitar is capable of, and ‘Voodoo Child (Slight Return)’ is its closing statement in the court of musical achievement. There is no point in technical proficiency if it doesn’t sound good or offer a glimpse of soul, and with this iconic riff, Jimi Hendrix shines through with more style ...
Electric Ladyland es el tercer álbum de The Jimi Hendrix Experience, el cual fue lanzado en 1968, siendo el último de la banda. Es un álbum doble considerado uno de sus trabajos más destacables.
16 de oct. de 2018 · Jimi Hendrix’s ‘Electric Ladyland’: 10 Things You Didn’t Know. A homemade kazoo, an intoxicated Brian Jones and other trivia related to the Experience's final studio LP. By Dan Epstein ...
Jimi Hendrix. " Voodoo Chile " ( / tʃaɪl / CHAIL) is a song written by Jimi Hendrix and recorded in 1968 for the third Jimi Hendrix Experience album Electric Ladyland. It is based on the Muddy Waters blues song "Rollin' Stone", but with original lyrics and music. At 15 minutes, it is Hendrix's longest studio recording and features ...
17 de dic. de 2013 · Mason’s band mate, Steve Winwood, plays organ on “Voodoo Chile”, a 15 minute bluesy tune a real live club feel, despite being recorded in a New York City studio. This song stays steady until the very end when it becomes frantic in a climax before breaking down into faux live sounds to end the first side.
" Voodoo Child (Slight Return) " is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the groups's third studio album, Electric Ladyland, released that year. It contains improvised guitar and a vocal from Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums.
