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25 de oct. de 2013 · crownpropeller. 6.85K subscribers. Subscribed. 633. 35K views 10 years ago. Zane Massey (as, ts), Henry Scott (tp), Vernon Reid (g, bjo), Bruce Johnson and Melvin Gibbs (eb), Ronald Shannon...
The AllMusic review by Scott Yanow stated: "The ensemble-oriented 'free funk' music of drummer Ronald Shannon Jackson's Decoding Society never can be accused of being overly mellow or lacking in excitement ... The frenetic and intense ensembles (essentially everyone solos at once) would not be classified as relaxing background music." [2] NPR thought that "the spiky Afro-pop guitar, two ...
10 de nov. de 2020 · The two most important reasons why this band rocked so hard was one the mind power of the leader, Ronald Shannon Jackson; and two, the musicians: Jackson, drums; Henry Scott, trumpet and flugelhorn ; Zane Massey, tenor, alto and soprano saxophones; Vernon Reid, guitars and, banjo; Melvin Gibbs and Reverend Bruce Johnson, electric bass.
Credits The Decoding Society: Henry Scott: Trumpet and Flugelhorn Zane Massey: Tenor, Alto and Soprano Saxophones Vernon Reid: Electric Guitar, Steel Guitar, Roland Guitar Synthesizer, Banjo Melvin Gibbs: Electric Bass Reverend Bruce Johnson: Fretless Electric Bass, Electric Bass Ronald Shannon Jackson: Drums On Side One – 1, Side One – 2, and Side Two –
Vernon Alphonsus Reid (born 22 August 1958) [1] [2] is a British-born American guitarist and songwriter best known as the founder of the rock band Living Colour. Reid was named No. 66 on Rolling Stone magazine's 2003 list of the 100 Greatest Guitarists of All Time, [3] and in August 2023, was ranked #42 in Rolling Stone Magazine top 250 ...
The two most important reasons why this band rocked so hard was one the mind power of the leader, Ronald Shannon Jackson; and two, the musicians: Jackson, drums; Henry Scott, trumpet and flugelhorn; Zane Massey, tenor, alto and soprano saxophones; Vernon Reid, guitars and, banjo; Melvin Gibbs and Reverend Bruce Johnson, electric bass.
Mandance. Ronald Shannon Jackson & the Decoding Society . ... But when Vernon Reid switches from guitar to banjo (“Iola”), a West African feel blows through the room like a cool breeze. Jackson’s drumming, as ever, is a nonstop roll of thunder — the fact that there’s still room for everyone else to be heard is some kind of miracle.
