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Paul G. T. Wright: lead vocals, guitars, banjo; Robert Lewis Hay-Smythe: guitar, bass guitar, backing vocals; Ian Carfrae (also billed as Ian Ffortescue-Carfrae): keyboards, sax, clarinet, arrangements; Henri Harrison: drums, spoons, washboard, percussion and effects; Martin Roke: trombone; Kenneth "Flash" Bache: trumpet
We, James (Jimmy) Dunn and Tom Wright, go back a long way. Our discussion on Paul began in the late 1970s, both stimulated by the forceful challenge made to the more traditional (particularly Lutheran) interpretation of Paul, justification by faith and the law, by E. P. Sanders’ Paul and Palestinian Judaism (Philadelphia: Fortress Press, 1977).
The New Perspective on Paul: A Bibliographical Essay. Michael F. Bird 32 min read October 16, 2009. This article was originally part of The Paul Page, a site dedicated to academic study of the apostle, with special focus on the work of N.T. Wright.
Paul Wright. 8,044 likes · 2 talking about this. www.paulwright.com
Reviewing N. T. Wright’s Paul and the Faithfulness of God is like trying to get a handle on the U.S. tax code. In 1,513 pages (like Luke-Acts, split into two volumes), Wright not only outlines his distinctive vision of Paul’s theology (chs. 9-11); he also describes the worldview that generates that theology (chs. 6-8) and, in ...
“I don’t want to hear it,” Faber said, waving him away. “Look, if you wacky kids want to get married that’s fine. Use a church, or at least have the common courtesy to let somebody know about it in advance.” He turned to Clarke, who was trying to appear inconspicuous. “And you, Hill. Why in the world were you involved in this?
The New Perspective on Paul, a major scholarly shift that began in the 1980s, argues that the Jewish context of the New Testament has been wrongly understood and that this misunderstand has led to errors in the traditional-Protestant understanding of justification.
