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  1. Transglobal Underground (sometimes written as Trans-Global Underground) is an English electro-world music group, specializing in a fusion of western, Asian and African music styles (sometimes labelled world fusion and ethno techno ).

  2. Natacha Atlas is a daughter of Egyptian emigrants in Belgium. She was a member of Transglobal Underground, who produced this album. She combines Arabian tradition with pop and antroposophy. Leysh Nat'arak ("Why Are We Fighting") is an anti-war song with oud and synthesizers. Yalla Chant has a spoken intro, melismatic singing, oud, and goblet drum. It's in an oriental mode with the ...

  3. This was ‘Diaspora,’ more or less an unofficial Trans-Global Underground album, based around the live line-up of the time Her second album, ‘Halim,’ released in 1997, moved away from the TGU sound in a more purely Arabic direction; however the TGU produced single ‘Amulet’ was the track that did the most to get her taken seriously by ...

  4. Atlas began her career as part of the world fusion group Transglobal Underground. In 1995, she began to focus on her solo career with the release of Diaspora. She has since released seven solo albums and been a part of numerous collaborations.

  5. 29 de dic. de 2016 · They captured a unique little niche by specializing in remixing industrial bands such as Grotus and Headbutt. Their biggest task, however, was producing Natacha’s debut album for Beggars Banquet Records, Diaspora, which was more or less an unofficial Trans-Global Underground album, in that it was based around the live line-up of ...

  6. 21 de sept. de 2022 · Later, in 1995, Atlas released her first solo album Diaspora. She combined the dub, rhythmic-driven global dance sound so distinctive of her musical associates at Transglobal Underground with the more traditional work of classical Arabic musicians.

  7. Her first solo album, Diaspora (Beggars Banquet, 1995), is basically another Transglobal Underground album, as it features the same personnel, but the format is far more conventional and the tone is far more Middle-eastern. Iskanderia, Yalla Chant and Dub Yalil nonetheless rank among their most powerful pieces.