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  1. Snakefinger – vocals, electric guitar. Ruby – vocals on "The Electrocutioner" G. Whifler – photography. Pore No Graphics - cover art. Covers [ edit] "Blue Rosebuds" was covered by Shock Headed Peters on the compilation album Devastate to Liberate in December 1985.

  2. en.wikipedia.org › wiki › SnakefingerSnakefinger - Wikipedia

    Philip Charles Lithman (17 June 1949 – 1 July 1987), who performed under the stage name Snakefinger, was an English musician, singer and songwriter. ... Duck Stab!/Buster & Glen (1978) Eskimo (1979) Diskomo (1980) The Commercial Album (1980) The Tunes of Two Cities (1982) Residue of the Residents (1983)

  3. With its relatively accessible song structures and lyrics, and its memorable contributions from guitarist Snakefinger, Duck Stab!/Buster & Glen was an instant critical and commercial success, driving demand for The Residents' music to an unprecedented degree.

  4. Philip Charles Lithman (17 de junio de 1949 - 1 de julio de 1987), más conocido como Snakefinger, fue un guitarrista y violinista británico conocido por sus colaboraciones con el grupo experimental The Residents . En 1972 formó su propia banda Chilli Willi and the Red Hot Peppers, con la que grabó dos álbumes. En 1979 comenzó su carrera ...

  5. The Duck Stab tracks are as good an introduction as any to the early Residents (pre Mark of the Mole). Skeletal electronics, bizarre studio effects and occasional interjections on guitar and fiddle from Snakefinger conjure up strange, twisted pictures of disturbed loners on society's margins, and the distorted vocals and twisted nursery rhyme ...

  6. Duck Stab / Buster & Glen was released the following November, and was later renamed as simply Duck Stab. The album was as big a success. It was also a critical success thanks to the accessibility of the music and the clever, Lewis Carroll-flavoured lyrics (not to mention Snakefinger's amazing guitar work).

  7. Duck Stab / Buster & Glen was released the following November, and was later renamed as simply Duck Stab. The album was as big a success. It was also a critical success thanks to the accessibility of the music and the clever, Lewis Carroll-flavoured lyrics (not to mention Snakefinger's amazing guitar work).