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  1. Zeena Parkins (born 1956) is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion.

  2. ncline.bandcamp.com › album › the-inklingThe Inkling | Nels Cline

    30 de may. de 2000 · A beautiful 6 panel Digipak designed by Carole Kim. The Inkling features Nels Cline - guitars, Mark Dresser - bass, drummer Billy Mintz and electric harpist Zeena Parkins. Includes unlimited streaming of The Inkling via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

  3. en.wikipedia.org › wiki › The_InklingThe Inkling - Wikipedia

    JazzTimes' Bill Milkowski noted "Nels Cline is normally known for his distortion-laced banshee wail on electric guitar, but his Inkling quartet affords him the opportunity to communicate on a softer dynamic with Mark Dresser's contrabass, Billy Mintz's drumset and Zeena Parkins' harp.

  4. New York based electro-acoustic composer / improviser Zeena Parkins is a pioneer of contemporary harp practices. Using expanded techniques, object preparations, and electronic processing she has re-defined the instrument’s capacities.

  5. The Inkling, an Album by Nels Cline. Released in June 2000 on Cryptogramophone (catalog no. CG 105; CD). Genres: Avant-Garde Jazz. Rated #1182 in the best albums of 2000.

  6. Zeena Parkins, Frederic Rzewski, James Tenney — New World Records, cd, 2013. Double Dupe Down — Tzadik, cd, 2012. Between the Whiles — Table of the Elements, cd, 2010. Necklace — Tzadik, cd, 2006. Devotion — Table of the Elements, lp, 2004. Nightmare Alley — Table of the Elements, cd in wooden box anniversary edition, 2003.

  7. Field of Study: Music Composition. Competition: US & Canada. New York based electro-acoustic composer/improviser Zeena Parkins is a pioneer of contemporary harp practices. Through the use of expanded playing techniques, object preparations, and electronic processing she has re-defined the instrument’s capacities.