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12 de mar. de 2016 · This work is a posthumous collaboration with Kurt Dahlke (aka Pyrolater, Ata Tak and ex-member of DAF) who has been granted access to Schnitzler’s archive of, well, bit and pieces. Lumps of sonic snippets, odd and ends, bricks to be used to construct…something.
16 de jul. de 2015 · Very nice as well, but the fierce visceralness of Schnitzler’s sounds, which always seemed to hover inscrutably around a potential total combustion point, have been streamlined into these 4-5 minute bundles. It’s as if Pyrolator’s Kurt Dahlke has sought to liberate Schnitzler through the rhythms of dance.
Con-Struct by Conrad Schnitzler & Schneider TM, released 05 June 2017 To purchase the album via Bandcamp, please go to: ... ,Doozer' clip by Kurt Dahlke / Pyrolator: youtu.be/kex8lQaShd4 www.bureau-b.com www.schneidertm.net www.mirrorworldmusic.com. tags. Tags
Kurt Dahlke (born 29 April 1958) is a German musician and record producer. He is a founding member of record label/publishing company Ata Tak and has worked and still works in several bands. Dahlke is also known as Pyrolator. Several times he has been commissioned by the Goethe-Institut for workshops or concerts.
Pyrolator, born Kurt Dahlke in 1958, co-founder of the legendary German label and publisher Ata Tak, member of various seminal post-punk bands such as D.A.F. and Der Plan, also released solo albums under his artist name from 1979 onwards. What is the concept of the Con-Struct series?
Kurt Dahlke a.k.a. NDW pioneer Pyrolator takes his turn to reconstruct and adapt the work of pivotal Berlin-skool composer, Conrad Schnitzler. This posthumous, He arguably fulfils his intentions in style over 12 vast, amorphous synthscapes foregrounding the compatibilities between Schnitzler's modular extractions and a modern day sound of ...
26 de abr. de 2019 · Here, Kurt Dahlke shares his story from his musical beginnings in the West German city of Wuppertal to his multimedia art shows with Der Plan, experimental compositional work as Pyrolator and his fruitful collaborations with the Goethe Institut. My idea of Wuppertal in the 70s is lots of free jazz. That’s right.
