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  1. Matt Kadane. Professor of History, Hobart and William Smith Colleges. Matt Kadane is the author of The Enlightenment and Original Sin (Chicago, 2024), The Watchful Clothier (Yale, 2013), and articles and essays that have appeared in The American Historical Review , Past and Present, and other journals and edited books.

  2. Matt Kadane Professor of History. Joined faculty in 2005. Ph.D., Brown. Contact Information. Henry House Email: kadane@hws.edu Phone (315) 781-3583. PERSONAL STATEMENT. I study the early modern period in Europe and to a growing extent more broadly.

  3. Matthew Kadane | Stanford Humanities Center. Stanford Humanities Center. About. People. Matthew Kadane. Along with the King of France, the pope, salon - and theater-goers, duelists, alchemists, and disgraced finance ministers, the Republic of Letters comes in for bitingly satirical treatment in Montesquieu’s Persian Letters (1721).

  4. Bedhead was an American indie rock band, active from 1991 to 1998, based in Dallas, Texas. Members consisted of Matt and Bubba Kadane (vocals and guitar), Tench Coxe (guitar), Kris Wheat (bass), and Trini Martinez (drums). The band released several EPs and three LPs on Trance Syndicate, touring intermittently. [1]

  5. Labels. Trance Syndicate, Touch and Go Records, Plexifilm. Website. BubbaKadane.com. Matt and Bubba Kadane is an American musical duo that consists of two brothers, Matt Kadane and Bubba Kadane. [1] They have founded three indie rock bands, serving as producers, songwriters, vocalists, and guitarists in all of them.

  6. Bedhead (banda) Apariencia. ocultar. Bedhead fue una banda estadounidense de indie rock con sede en Texas activa desde 1991 hasta 1998. Sus miembros fueron Matt y Bubba Kadane (voz y guitarra), Tench Coxe (guitarra), Kris Wheat (bajo) y Trini Martinez (batería).

  7. Matt Kadane. Willis F. Doney Member. Affiliation. Historical Studies. Field of Study. Early Modern Europe. From. 1/2020 – 7/2020. Matt Kadane is working on a book on the Enlightenment and the ­concept of original sin that tries to explain how eighteenth-century people understood Enlightenment culture and why they chose to embrace or reject it.