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Medicinal: African Head Charge's Bonjo Iyabinghi Noah speaks to Dave Segal - The Wire. April 2020. Bonjo Iyabinghi Noah. By Marg Yo. “Spiritually, it’s a medicine, too, because if you play the drums with that perfection, you can bring the ancestors close to you. That’s the mystical side of drumming and how it can cure people.”
3 de ago. de 2023 · Bonjo Iyabinghi Noah of African Head Charge Talks Life-Long Learning and ‘A Trip To Bolgatanga’ (INTERVIEW) - Glide Magazine. By Hannah Means-Shannon. No Comments. African Head Charge has been making waves as a Psychedelic Dub ensemble since the 1980s and have now passed their 40 th year.
2 de jul. de 2023 · Veteran band leader Bonjo Iyabinghi Noah has relocated to Ghana, making a relaxed album that lacks the menace of his dub collective’s bassier efforts. Damien Morris. Sun 2 Jul 2023 10.00 EDT....
Arriving in Britain in the late 1960s from Ghana, Bonjo Iyabinghi Noah (aka Bonjo I, aka Bonjo), On-U's percussion-meister in waiting, first entered the UK music business as a roadie for Dandy Livingstone and his band, only stepping into the limelight for the first time when the band's conga player failed to turn up for a gig.
5 de jul. de 2023 · The African Head Charge project is led by producer Adrian Sherwood and Jamaican percussionist Bonjo Iyabinghi Noah and started off as a combination of traditional Rasta drumming (including percussion instruments that had become neglected in reggae before AHC’s debut) and Sherwood’s experimentation with cut-up collage and rule-breaking ...
20 de jul. de 2023 · As one-half of the avant-reggae project African Head Charge, Noah has been pumping blood into the drum for 42 years, demonstrating the connection between the human species and that celestial whomp.
African Head Charge is a psychedelic dub ensemble active since 1981. [1] The group was formed by percussionist Bonjo Iyabinghi Noah, [2] and featured a revolving cast of members, including Prisoner, Nick Plytas, Crocodile, Junior Moses, Sunny Akpan, Skip McDonald, Gaudi and Jah Wobble.
