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John "Stench" Hanes. Larry Carter. Aaron Smith. Website. romeovoid .net. Romeo Void was an American new wave / post punk band from San Francisco, California, formed in 1979. [1] The band primarily consisted of saxophonist Benjamin Bossi, vocalist Debora Iyall, guitarist Peter Woods, and bassist Frank Zincavage.
After a further EP and single, Chrome again expanded to a quartet with the addition of the new rhythm section of John and Hilary Stench (real surname: Hanes). This lineup existed circa 1980–1983, and produced the albums Blood on the Moon (1981) and 3rd from the Sun (1982), and the new material comprising the fifth and sixth LPs of ...
Also Known As. John Hanes. Member Of. Chrome, Pearl Harbor & the Explosions, Romeo Void. Credits. Submit Corrections. Explore John Stench's discography including top tracks, albums, and reviews. Learn all about John Stench on AllMusic.
John Stench. Hilary Stench. Pearl Harbor and the Explosions was a musical act from San Francisco, California, United States. Forming in 1979, the new wave band had limited success in the late 1970s and early 1980s, with their debut single, "Drivin'", reaching the lower end of the American Billboard chart in 1980. [1]
Romeo Void fue una banda estadounidense de new wave / post punk de San Francisco , California , formada en 1979. [1] La banda estaba compuesta principalmente por el saxofonista Benjamin Bossi, la vocalista Debora Iyall , el guitarrista Peter Woods y el bajista Frank Zincavage. La banda pasó por cuatro bateristas, comenzando con Jay Derrah y terminando con Aaron Smith .
In 1979, she and the band’s rhythm section of Hilary and John Hanes (nicknamed the Stench Brothers) split off and enlisted guitarist Peter Bilt (real name Peter Dunn). Pearl Gates added a middle initial “E” and the band became Pearl Harbour and the Explosions.
20 de abr. de 2024 · Before recording began, Derrah left the band and was replaced by John "Stench" Hanes, who had previously played with Pearl Harbor and the Explosions. Romeo Void's debut was critically acclaimed upon its release through 415 in July 1981, and introduced Romeo Void's "unique blend of jazz, funk, rock and confrontational poetry".
