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Explore Benny Pottle's discography including top tracks, albums, and reviews. Learn all about Benny Pottle on AllMusic.
View credits, reviews, tracks and shop for the 1933 Shellac release of "Maybe I Love You Too Much / What Have We Got To Lose" on Discogs.
Brass Bass – Benny Pottle* Clarinet – Sidney Arodin. Cornet – Irwin Kunz, Tony Almerico. Drums – Bob Turley* Piano – Terry Shand. Trombone – Sunny Clapp. Alto Saxophone, Tenor Saxophone – Unknown Artist. Banjo, Vocals – Mart Britt. Brass Bass – Benny Pottle* Clarinet – Sidney Arodin.
31 de may. de 2021 · I’m not familiar enough with pianist Terry Shand or bassist Benny Pottle to comment, but am going to disagree with you on the drummer. To my ears, the playing doesn’t sound loose enough to be Ray Bauduc. The discography lists “Bob White,” but it sounds like Sammy Weiss to me!
English. Performer: Wingy Mannone and his Orchestra; Wingy Mannone; George Brunis; Sidney Arodin; Terry Shand; Bonnie Pattle; Bob White; unknown. Writer: Williams. trumpet; trombonel clarinet; piano; bass; drums; guitar. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record.
Benny Pottle - sb; Bob White - d. Paul Mares wasborn inNew Orleans 1900. He a professional by the age of16, patterning his cornet style on that King Oliver. In 1919 he wentto Chicago, and joined HuskO’Hare’s Friar’s Inn togetherwith childhood friends George Brunies and Leon
Benny Pottle (on 1928-09-14) Mart Britt & His Orchestra: 2:40: 14: Waiting for a Train. recorded in: Atlanta, Georgia, United States (on 1928-10-22) clarinet: James Rikard (clarinetist, accompanied Jimmie Rodgers) (on 1928-10-22) cornet: C.L. Hutchison (cornetist, accompanied Jimmie Rodgers) (on 1928-10-22)
