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Ichiro Agata (縣 一郎, Agata Ichirō) is the guitarist for the Japanese noise rock band Melt-Banana. [2] Agata is known particularly for his furious stage antics, jumping and constantly moving around, and exceedingly unique approach to playing the guitar which involves extended technique, heavy use of effects pedals , [3] and ...
History. In 1991, while attending Tokyo University of Foreign Studies, Yasuko Onuki started a band called Mizu and, after a short period rehearsing with another guitarist, recruited Ichiro Agata to play guitar in the band. [2] .
Según la biografía del álbum, escrita por Olli Siebelt de la BBC, 3+5 “ muestra el enfoque musical visionario del dúo y sus extraordinarias habilidades como intérpretes: la vocalización vertiginosa e hiperactiva de Yasuko Onuki y la guitarra ciberpunk con fallas de Ichiro Agata, entregadas a una velocidad vertiginosa, bañadas en ...
23 de may. de 2024 · The album showcases the duo’s visionary musical approach and extraordinary abilities as performers: Yasuko Onuki’s giddy, hyperactive vocalizing and Ichiro Agata’s glitchy, cyberpunk guitar,...
Ichiro Agata (縣 一郎, Agata Ichirō ) es el guitarrista de la banda japonesa de noise rock Melt -Banana . [2] Agata es conocido particularmente por sus furiosas travesuras en el escenario, saltando y moviéndose constantemente, y su enfoque extremadamente único para tocar la guitarra que implica una técnica extendida, uso intensivo de pedales de efectos [3] y deslizamientos de guitarra ...
Ichiro Agata is the guitarist for the Japanese noise rock band Melt-Banana. Agata is known particularly for his furious stage antics, jumping and constantly moving around, and exceedingly unique approach to playing the guitar which involves extended technique, heavy use of effects pedals, and guitar slides resulting in sounds not easily ...
Melt-Banana, led by shrieking vocalist Yasuko Onuki (who matches Poly Styrene 's proverbial hysteria) and Ichiro Agata (a guitarist who recalls Arto Lindsay in DNA), play fast-paced "noise-core" that mixes the speed of hardcore and the cacophony of industrial music.
