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  1. 25 de jul. de 2023 · News. Carol Kaye on her 10 greatest recordings: "It wasn’t like we were making doughnuts. We were making records, and a lot of them were hits". By Joe Bosso. last updated 25 July 2023. Classic interview: the most recorded bassist in history on here personal highlights. (Image credit: GAB Archive / Getty)

  2. Charles Chapman guitar, John Repucci bass. Carol is on Twitter and Forum ckaye900@gmail.com. Carol Kaye Autobiography, click here. 502 pages, Complete LOG, Life History & Studio Stories. Thank-you to AFM Local 47 and City of Los Angeles for these remarkable Awards, I'm humbly honored.

  3. en.wikipedia.org › wiki › Carol_KayeCarol Kaye - Wikipedia

    Carol Kaye (née Smith; born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.

  4. Carol Kaye (née Smith; born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.

  5. Carol Kaye es una educadora musical, bajista y guitarrista de sesión estadounidense. Estuvo presente en sesiones históricas como " La Bamba " de Ritchie Valens , River Deep – Mountain High producida por Phil Spector con la técnica del muro de sonido ( wall of sound ) para Ike & Tina Turner, "God Only Knows" y " Good Vibrations " de The ...

  6. 19 de jul. de 2023 · Anuncio. Jesús Sanz Morales. 19 julio, 2023. 18:00. Más noticias de Beach Boys, Phil Spector. La gran bajista de sesión Carol Kaye, una de las más prolíficas y más escuchadas de la historia, una mujer que ha tocado en aproximadamente 10.000 grabaciones a lo largo de una trayectoria que abarca más de 50 años.

  7. 23 de abr. de 2020 · You want an instrument that gets all the sounds, not just rock and pop.”. Session work in the 1960s, while well‑paid and rewarding, was gruelling. The musicians routinely cut three or four records per day, working 12 to 15 hours. By the end of the decade, she recalled, Hollywood had become unsafe, the music “got boring” and she stepped ...