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  1. 23 de abr. de 2017 · Blurred Lines: Inside the Art World: Directed by Barry Avrich. With Marina Abramovic, Katherine Arnold, Leon Black, Amy Cappellazzo. An overview of the major players in the contemporary art market and of the economic factors that motivate those individuals and institutions.

  2. 15 de ene. de 2018 · «Blurred Lines» arranca con el día en el que la corporación Lehman Brothers se declaró en bancarrota, evento que se considera el inicio de la crisis económica de 2008, y lo contrapone a una venta efectuada 24 horas después de una pieza del británico Damien Hirst por 300 millones de dólares.

  3. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.

  4. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.

  5. 26 de abr. de 2017 · Blurred Lines uncovers a nasty business where art is much like real estate: investors “flip” the art in rapid turnarounds to make a quick buck, while sellers and agents add cultural capital to works by ensuring that buyers with recognisable names or clout acquire the art.

  6. Sinopsis. “Blurred Lines” arranca con el día en el que la corporación Lehman Brothers se declaró en bancarrota, evento que se considera el inicio de la crisis económica de 2008, y lo contrapone a una venta efectuada 24 horas después de una pieza del británico Damien Hirst por 300 millones de dólares. 10 años más tarde, nada parece ...

  7. 23 de abr. de 2017 · Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.