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Johnson tuvo su debut discográfico mientras trabajaba con la banda de Louis Armstrong en 1932-33 pero es más conocido por su trabajo, durante muchos años, con Earl Hines. Se afirma que él y Billy Eckstine, el colaborador a largo plazo de Hines, llevaron a Hines a contratar a "modernistas" en el nacimiento del bebop , que provenía en gran ...
The Complete RCA Victor Recordings (Bluebird, 1937–1949 [1995]) Dee Gee Days: The Savoy Sessions (Savoy, 1951–1952 [1976]) Jazz Recital (Norgran, 1955) With Coleman Hawkins. Rainbow Mist (Delmark, 1944 [1992]) compilation of Apollo recordings; With Earl Hines. The Father Jumps (Bluebird, 1939–1945 [1975]) With Claude Hopkins ...
10 de feb. de 2007 · Budd Johnson was a key factor in the band, both as saxophone soloist and as arranger. His "XYZ" develops tremendous momentum, while his arrangement of Hines's "Piano Man" is a fine setting for the leader's flamboyant piano.
Budd Johnson he participated in so many hard-to-get recording sessions in the late ... EARL HINES AND HIS ORCHESTRA Chi. Feb. 10, 1937 Milton Fletcher, Charlie Allen (tp), Walter Fuller (tp, vo), Louis Taylor, Trummy ... July 12, 1939. 14 (vo).
Primarily a saxophonist, he led and arranged for many bands from the 1940s on, leaving his mark on jazz. Read Full Biography.
Robert Johnson – vocals, guitar Recorded in Dallas, Texas on June 20, 1937, for American Record Co. and released on CBS Columbia Records as Columbia CL 1654 "St. Louis Blues" Louis Armstrong – cornet Fred Longshaw – reed organ Bessie Smith – vocals
Later in 1939, he first recorded for Decca Records with his band, soon afterwards being joined by his sister Ella as vocalist. By 1941, he had assembled a nine-piece orchestra, [2] and soon began a series of R&B and pop chart hits. [1]
