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  1. What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard. Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave.

    • From Endymion

      From Endymion - Ode on a Grecian Urn by John Keats | Poetry...

    • Fancy

      Fancy - Ode on a Grecian Urn by John Keats | Poetry...

    • The Eve of St. Agnes

      The Eve of St. Agnes - Ode on a Grecian Urn by John Keats |...

  2. Tracing of an engraving of the Sosibios vase by Keats. " Ode on a Grecian Urn " is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 [1] (see 1820 in poetry). The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence", "Ode on Melancholy ...

  3. What Mad Pursuit: A Personal View of Scientific Discovery is a book published in 1988 and written by Francis Crick, the English co-discoverer in 1953 of the structure of DNA. In the book, Crick gives important insights into his work on the DNA structure, along with the central dogma of molecular biology and the genetic code , and his ...

  4. As one of several famous lyrical odes penned by John Keats, this poem relies on imagery to bring to life the vividly dynamic world preserved by a Greek urn, its contemplations unearthing questions about life’s ephemeral nature, art’s timeless idealism, and the beauty inherent in both. View Poetry + Review Corner. Poem Analyzed by Huw Thomas.

  5. 23 de mar. de 2020 · Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Keats begins by looking at the ancient Greek urn, and trying to figure out who the people are who are depicted on the outside of it.

  6. 9 What mad pursuit? What struggle to escape? 10 What pipes and timbrels? What wild ecstasy? 11 Heard melodies are sweet, but those unheard. 12 Are sweeter; therefore, ye soft pipes, play on; 13 Not to the sensual ear, but, more endear'd, 14 Pipe to the spirit ditties of no tone:

  7. He looks at a picture that seems to depict a group of men pursuing a group of women and wonders what their story could be: “What mad pursuit? What struggle to escape? / What pipes and timbrels?