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Critical reception. Jon Pareles, music critic for The New York Times, gave high praise to McKee's singing and the band's musicianship, but described the album as something of a disappointment in that "the band's songwriting has grown weaker": whereas the songs of the debut album were filled with "down-to-earth details that make country music hit home", those of Shelter "are much vaguer ...
After enlisting guitarist Shane Fontayne, bassist Gregg Sutton, drummer Rudy Richman, and keyboardist Bruce Brody (formerly of the Patti Smith Group), Lone Justice recorded their second LP, Shelter. Steve Van Zandt was the producer, along with Jimmy Iovine and the band.
Van Zandt produjo álbumes clásicos de Springsteen como Darkness on the Edge of Town, The River y Born in the U.S.A.. También produjo álbumes para Iron City Houserockers con Have A Good Time (But Get Out Alive) y Lone Justice , en su segundo álbum de estudio, Shelter , que no obtuvo el éxito esperado y significó el final de la banda de ...
Heartbeat City. The Cars. View credits, reviews, tracks and shop for the 1986 Vinyl release of "Shelter" on Discogs.
The Cars. View credits, reviews, tracks and shop for the 1986 Vinyl release of "Shelter" on Discogs.
Less successful was his work on Lone Justice 's second album Shelter, which was a career-ending flop for the Los Angeles cowpunk band. [38] In 1989, Van Zandt wrote "While You Were Looking at Me" for Michael Monroe 's album Not Fakin' It and co-wrote video hits "Dead, Jail or Rock'n Roll" and "Smoke Screen".
View credits, reviews, tracks and shop for the 1986 CD release of "Shelter" on Discogs.
