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  1. Count Bill Basie, leader; Harry Edison, Al Killian, Joe Newman, Ed Lewis, trumpets; Dickic Wells, Ted Donely, Eli Robinson, Louis Taylor, trombones; Jimmy Powell, Earl Warren, Lester Young, Buddy Tate, Rudy Rutherford, reeds; Count Basie, piano; Freddy Green, guitar; Rodney Richardson, bass; Shadow Wilson, drums; Vocals; Jimmy Rushing, Thelma ...

  2. en.wikipedia.org › wiki › Buddy_TateBuddy Tate - Wikipedia

    He joined Count Basie in 1939 and stayed with him until 1948. He had been selected by Basie after the death of Herschel Evans , [1] which Tate stated he had predicted in a dream. After his period with Basie ended, he worked with several other bands before he found success on his own, starting in 1953 in Harlem . [2]

  3. Tate cambia en seguida al saxo tenor con el que se hace un nombre en bandas como la dirigida por Andy Kirk. Se une a la Orquesta de Count Basie en 1939 y se queda con él hasta 1948. Fue seleccionado por Basie después de la muerte repentina de Herschel Evans, la cual Tate declaró que había pronosticado en un sueño.

  4. Printed By – Grimoffset. Recorded At – Hotel Lincoln, NYC. Credits. Bass – Rodney Richardson. Drums – Jo Jones. Guitar – Freddie Green. Liner Notes – Frank Ténot. Piano – Count Basie. Saxophone – Buddy Tate, Earle Warren, Jimmy Powell, Lester Young, Rudy Rutherford. Trombone – Bill Johnson, Dickie Wells, Eli Robinson, Lewis Taylor *, Ted Donnelly.

  5. 13 de mar. de 2023 · A resilient tone with high register inflections in the so-called "Texas tenor" sound distinguished Tate among his swing era colleagues. He was a member of the Count Basie Orchestra during the late 1930s and 1940s and later became a bandleader in his own right By most accounts, Tate was born George Holmes Tate on February 22, 1913, in ...

  6. Count Basie and his Orchestra (including Lester Young, Jimmy Powell, Earle Warren, Buddy Tate, Rodney Richardson, reeds; Count Basie, piano; Freddie Green, gtr). (Personnel On Camera). Unidentified provenance, location and music at the time of writing.

  7. The ban on instrumental recordings of 1942–1944 adversely affected the finances of the Count Basie Orchestra, as it did for all big bands in the United States. Despite taking on soloists from the next generation such as Wardell Gray , Basie was forced to temporarily disband the group for a short period in 1948, before dispersing again for two years in 1950.