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  1. Hace 4 días · British choreographer Christopher Wheeldon has virtually re-invented this work. His version of “The Nutcracker” is site-specific to the city of Chicago. Originally presented by the Joffrey Ballet in December of 2016, Wheeldon has set his production firmly in the city’s historical past.

  2. Hace 1 día · Late Bloomers Soundtrack List. Farewell, Farewell – Fairport Convention. I Won’t Play Any Games With You – Julian Cassia. Simulator – Creature Canyon. Listen, Listen – Sandy Denny. Scarborough Fair – Bonny Sartin, Peter Shutler & Malcolm Mc Culloch. Moombanana – Sebvastien Delazzer & Lydia Diab. In Heaven – Stephen Rudolph Kreussel.

  3. www.jazz-jazz.com › 2024/06/06 › va-classical-amp-baroque-music-2024VA - Classical & Baroque Music (2024)

    Hace 2 días · 25. Katya Kramer-Lapin – The Nutcracker, Op. 71, TH 14: No. 13, Waltz of the Flowers (Arr. for Piano by Vyacheslav ... Andante maestoso (Pas de Deux) [Arr. for Piano] (06:17) 32. Misha Fomin – Préludes, Livre 1, L. 117: No. 4, Les sons et les parfums tournent dans l'air du soir (04:29) 33. Katya Kramer-Lapin – Prelude B Minor ...

  4. Hace 5 días · The Making of Tschaikovsky Pas de Deux In the world of ballet, certain partnerships transcend the stage to become legends. One such pairing was Violette Verdy and Conrad Ludlow, whose performances of George Balanchine’s Tschaikovsky Pas de Deux left an indelible mark on the art form.

  5. Hace 2 días · Ballet Tucson is unveiling its 2024-25 season lineup. B allet Tucson Artistic Director Margaret Mullin has unveiled the performance lineup for the company’s new season, which runs from September ...

  6. Hace 3 días · This act gives Clara and Nutcracker a much-shortened pas de deux which allows Sophie Leeson to show her strong technique and beautiful smile. West Berks Ballet School.

  7. Hace 3 días · Dowell, the original Oberon, is rightsholder of The Dream.In a recent masterclass organised by The Frederick Ashton Foundation, he coached two beautiful young dancers, Sae Maeda and Leo Dixon, in Thaïs pas de deux, created for himself and Sibley in 1971.It’s uncanny how Dowell’s comments and corrections precisely echo those of Ashton’s.

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