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  1. Hace 5 días · Georgia OKeeffe: “My New Yorks” The Art Institute of Chicago – Jun 02 to Sep 22, 2024 Chicago (US) Famed for her images of flowers and Southwestern landscapes, Georgia O’Keeffe spent several years exploring the built environment of New York City with brush in hand.

  2. Hace 5 días · OKeeffe called these works “my New Yorks” and through them investigated the dynamic potential of New York’s cityscape—the organic and the inorganic, the natural and the constructed. As she put it, “One can’t paint New York as it is, but rather as it is felt.”.

  3. Hace 5 días · OKeeffe called these works “my New Yorks” and through them investigated the dynamic potential of New York’s cityscape—the organic and the inorganic, the natural and the constructed. As she put it, “One can’t paint New York as it is, but rather as it is felt.”

  4. Hace 4 días · OKeeffe called these works “my New Yorks” and through them investigated the dynamic potential of New York’s cityscape—the organic and the inorganic, the natural and the constructed. As she put it, “One can’t paint New York as it is, but rather as it is felt.”.

  5. Hace 5 días · The Art Institute of Chicago is opening Georgia O’Keeffe: “My New Yorks” on view from June 2–September 22, 2024. This exhibition—featuring approximately 100 works across a range of media, including paintings, drawings, pastels, and photographs—is the first to seriously examine O’Keeffe’s urban landscapes, while also ...

  6. henry-moore.org › whats-on › georgia-okeeffe-and-henry-moore-giants-of-modern-artO’Keeffe and Moore | touring exhibition

    Hace 5 días · This groundbreaking exhibition at Montreal Museum of Fine Arts creates a new dialogue between the work of Georgia O'Keeffe (1887-1986) and Henry Moore (1898-1986), exploring how these iconic 20th-century artists developed their own shape of modern art firmly rooted in the natural world.

  7. Hace 3 días · Over 120 works, including examples from MoMA’s collection, demonstrate the ways in which OKeeffe developed, repeated, and changed motifs that blur the boundary between observation and abstraction.