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Hace 1 día · Stravinsky turned back towards biblical themes for many of his final works, notably in the 1961 chamber cantata A Sermon, a Narrative and a Prayer, the 1962 musical television production The Flood, the 1963 Hebrew cantata Abraham and Isaac, and the 1966 Requiem Canticles, the last of which was his final major composition.
Hace 4 días · On June 25 1910, Igor Stravinsky’s ballet The Firebird opened to acclaim at the Paris Opéra. The success propelled its composer, then aged 28, to international prominence, a position of influence he would retain for six decades.
Hace 5 días · Associer Olivier Py au Rake’s Progress apparaît rétrospectivement comme une évidence, tant l’opéra de Stravinsky est plein de thèmes et de problématiques chers au nouveau directeur du Festival d’Avignon : le péché et la grâce, la pureté et la corruption, le sexe et la mort.
Hace 5 días · Perfect pairs: Stravinsky with the LSO, Thomas Adès and Anne-Sophie Mutter. By Roy Westbrook, 31 May 2024. This did not look a programme certain to sell out, but a near full house heard this London Symphony Orchestra concert conducted by Thomas Adès.
Hace 5 días · De trop épaisses ficelles ligotent la féerie mise en musique par Stravinsky. Privée de poésie, l’intrigue s’avère difficile à suivre si l’on ne connaît pas l’argument. Des applaudissements perplexes accompagnent le tomber de rideau.
Hace 5 días · Igor Stravinsky (1882 – 1971) The Rake’s Progress, opéra en trois actes sur un livret de Wystan Hugh Auden et Chester Kallman Création le 11 septembre 1951, à La Fenice, Venise
Hace 2 días · By the end of the Classical period, the ensemble had become what is now recognised as a chamber orchestra. The brass family was the next to expand, with trombones, the tuba and additional horns, adding so much to the volume of sound that more string instruments were required for the sake of balance – and again once the percussion section began to grow.
