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  1. Hace 23 horas · Sesión 6- Sábado 20 de julio, 2024 – Seijun Suzuki. Branded to Kill. Japón, 1967, blanco y negro, VO en japonés con subtítulos en español, 98’ Suzuki fue un cineasta marginal que, en el momento de hacer esta película, estaba trabajando para los estudios de la Nikkatsu.

  2. Hace 3 días · La historia de un falso killer que termina adquiriendo ese rol de casualidad y que, a fuerza de talento -una capacidad desconocida hasta ese momento-, se convierte en el más hábil histrión, cambiando de identidad y aspecto físico como un auténtico camaleón.

  3. Hace 1 día · Shishido also gained attention for collaborating with the ever-unpredictable Seijun Suzuki, who made exciting yakuza films and some deeply strange ones (sometimes, his movies were both at the same ...

  4. Hace 4 días · Seijun Suzuki’s absurdist thriller, certainly one of the most brilliant genre movies ever made, really needs to be seen in context to be enjoyed to the max. Suzuki was contracted to Nikkatsu in 1954, and he directed 40 movies for the faltering major between 1958 and his peremptory dismissal in 1967; all of them were assignments ...

  5. Hace 2 días · Premise. Lupin III, the grandson of the fictional gentleman thief, Arsène Lupin, is considered the world's greatest thief, known for announcing his intentions to steal valuable objects by sending a calling card to their owners. His right-hand man and best friend is Daisuke Jigen, an expert marksman who can accurately shoot a target in 0.3 seconds.

  6. But, in typical Argento fashion, it also has flourishes of creative brilliance. The maestro plays with flashbacks, a bit of light surrealism, and he uses blood to paint his set. Especially in the last act, which has a few set pieces completely covered in blood but it’s all splayed artistically like a Seijun Suzuki picture.

  7. japanonfilm.wordpress.com › 2024/06/24 › flic-2005Flic (2005) | Japanonfilm

    Hace 2 días · Flic (2005) 06/24/2024 / japanonfilm. Sometimes it’s hard to determine what is real and what is a dream or a movie. This especially applies to Masahiro Kobayashi’s Flic, which itself seems to be a reference to the French flic, or policeman, the Melville movie Un Flic, and the flicks themselves. In simplest terms, Murata is a policeman whose ...

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