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Hace 2 días · The Oxford Handbook of the French Revolution. Oxford, Oxford University Press, 2015, ISBN: 9780199639748; 704pp.; Price: £95.00. The historiography of the French Revolution is a diverse and ever expanding field. It is an eminently useful idea to produce a guide to it, though not one Oxford University Press is alone in having.
Hace 4 días · Última actualización: 31/05/2024. Compartir. Descubre en esta nota quién fue Henry Fayol y Frederick W. Taylor, y por qué son figuras tan relevantes para la administración. La administración como la conocemos actualmente es el resultado de años de evolución.
Hace 3 días · Henry II (5 March 1133 – 6 July 1189), also known as Henry Fitzempress and Henry Curtmantle, was King of England from 1154 until his death in 1189. During his reign he controlled England, substantial parts of Wales and Ireland, and much of France (including Normandy, Anjou, and Aquitaine), an area that altogether was later called the Angevin Empire, and also held power over Scotland and the ...
Hace 6 días · Anne de Montmorency, duc de Montmorency ( c. 1493 – 12 November 1567) was a French noble, governor, royal favourite and Constable of France during the mid to late Italian Wars and early French Wars of Religion. He served under five French kings ( Louis XII, François I, Henri II, François II and Charles IX ).
Hace 1 día · Monarques de France. modifier. Henri III n 1, né le 19 septembre 1551 à Fontainebleau et mort assassiné le 2 août 1589 à Saint-Cloud, est souverain de la nouvelle république des Deux Nations de 1573 à 1575 − sous les noms d' Henryk Walezy, roi de Pologne et de Henrikas Valua, grand-duc de Lituanie − et roi de France de ...
Hace 4 días · Henry I ( c. 1068 – 1 December 1135), also known as Henry Beauclerc, was King of England from 1100 to his death in 1135. He was the fourth son of William the Conqueror and was educated in Latin and the liberal arts.
Hace 5 días · L’objet de cette thèse est donc de préciser la place de la musique lors de la célébration des événements politiques et l’identité des musiciens qui travaillaient à la cour à partir de sources narratives et visuelles et des documents d’archives.
