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Hace 1 día · It was written by Jesse Stone who, as far as I know, had no connection to Idaho. “Idaho” was originally recorded by Alvino Rey and his orchestra in 1941. The next year, Benny Goodman had a version that hit number 4 on the pop charts. Here’s a link to that one. You’ll probably have to endure a few seconds of commercial before you get to it.
Hace 15 horas · Recorded by Woody Herman and His Orchestra for Columbia on December 27, 1947 in Hollywood. ... Steward joined Alvino Rey’s band for several months in early 1946. He then worked for a time with Earl Spencer’s band in Los Angeles, and in the summer of 1946 began doing a bit of free-lance work.
Hace 3 días · This chronology of recordings issued on King Records and its associated labels documents the various Latin-American musical influences on King’s collective output, beginning in the late 1940s. . While Latin sounds have never been a driving force at King, it is nevertheless surprising to see the range of Latin musical styles reflected in King’s famously eclectic catalog over the course of ...
Hace 5 días · Album Header. The Top 20 Album Chart for w/c 29th June 1969 can be found at https://www.youtube.com/playlist?list=PLHRxOUj8NXbNAbUOKCFsBUPmpll552wNs
Hace 5 días · He collaborated with many famous trombone players of his time, like Sonny Dunham, Alvino Rey, and Allen. His style of trombone playing was very much similar to JJ Johnson’s. His association with JJ Johnson became popular. ... She has been the Principal Trombone of the Milwaukee Symphony Orchestra since 2002.
Hace 4 días · Features vintage music by The Andrews Sisters, Vaughn Monroe and Harry James. Ronnaldo also talks a little bit about Alvino Rey. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat. Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain. Artists are credited within the ...
Hace 5 días · Johnny Bothwell (May 23, 1919 – September 12, 1995) was an American jazz alto saxophonist and bandleader. He became a major figure in the mid-1940s progressive jazz scene. Like many who tried to sell progressive jazz to the public, though, Bothwell failed to find commercial acceptance, and he ended up quitting the music business at the end of ...
