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  1. en.wikipedia.org › wiki › Philip_GlassPhilip Glass - Wikipedia

    Hace 2 días · Glass's music for his ensemble culminated in the four-hour-long Music in Twelve Parts (1971–1974), which began as a single piece with twelve instrumental parts but developed into a cycle that summed up Glass's musical achievement since 1967, and even transcended it—the last part features a twelve-tone theme, sung by the soprano ...

  2. Hace 4 días · This disc, like a predecessor one of solo piano arrangements of Glass works, appears on Glass’s own label, Orange Mountain Music, which shows that it has the composer’s approval. Deutekom clearly understands and loves this music and plays it with sensitivity and understanding.

  3. Hace 4 días · 135 likes, 2 comments - philipglassensemble on September 10, 2024: "We are pleased to announce that the Philip Glass Ensemble will perform at @bigearsfestival 2025, March 27-30. The ensemble will perform Music in Twelve Parts to commemorate its 50th anniversary “Music in Twelve Parts would most likely be classified as a minimal work, it was a breakthrough for me and contains many of the ...

  4. Hace 2 días · Jueves 12.9.2024. 7:58. Después de 30 años de su último concierto en el Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez (4 de Enero 1552), el pianista de trayectoria internacional ...

  5. Hace 3 días · Der Durchbruch als Komponist gelang ihm 1974 mit der Uraufführung seiner mehrstündigen Music In Twelve Parts in der New Yorker Town Hall, sowie zwei Jahre später die vierstündige Oper Einstein On The Beach. 1980 folgte die zweite Oper Satyagraha über das Leben des jungen Mahatma

  6. Hace 3 días · Formed in 1968, the Philip Glass Ensemble (PGE) was created by Glass as a laboratory for his music, developing a performance practice designed to meet the technical and artistic demands of his music. Many of Philip Glass's … Continue reading "London, UK (PGE performs works 1973-1984)"

  7. Hace 4 días · "Music in Twelve Parts, written by Philip Glass between 1971 and 1974, is a deliberate, encyclopedic compendium of some techniques of repetition the composer had been evolving since the mid 1960s.