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Hace 5 días · The Firebird. ballet by Igor Stravinsky. Premiere: 25 June 1910, Les Saisons Russes, Théâtre de l´Opéra, Paris. Premiere of Michel Fokin’s version at the Mariinsky Theatre: 28 May 1994. Running time: 50 minutes. Age category: 6+. Credits. SYNOPSIS. Igor Stravinsky began his career with The Firebird.
Hace 5 días · Staged in 1910 for a charitable evening, choreographer Michel Fokine and designer Léon Bakst’s Le Carnaval entered the annals of ballet history as a delightful stylisation of commedia dell'arte to music by Schumann. Fokine was inspired to create the production through his familiarity with the real-life peripeteia of the composer, finding a response in pieces from the piano cycle Le Carnaval.
Hace 5 días · The Dying Swan. A solo piece requiring the dancer to portray vulnerability and grace, with a focus on arm movements. Composer: Camille Saint-Saëns. Choreographer: Michel Fokine. In other topics. Position 4 in the ranking of the most difficult ballet variation. 2. 0. votes. Source. Odile's Black Swan Pas de Deux from Swan Lake.
Hace 3 días · Principal Dancer. • Recipient of the Léonide Massine Prize in the category “Emerging Talent on the International Scene” (Positano, Italy, 2014) • Recipient of the Spirit of Dance prize in the category “Rising Star” (2012).
Hace 1 día · Choreography Carlos Acosta after Michel Fokine and Michel Descombes; Music Camille Saint-Saëns The Carnival of the Animals: 13. The Swan; Piano Jeanette Wong; Cello António Novais Alexandra Manuel Oscar Kempsey-Fagg Diana and Actaeon Pas de deux Choreography Agrippina Vaganova after Marius Petipa; Music Cesare Pugni Alisa Garkavenko Mason King
Hace 3 días · El romance entre la favorita del harén y el esclavo de oro, constituye el núcleo del ballet que Mikhail Fokine creó sobre la partitura de Rimsky-Korsakov, una obra sinfónica de 1888. Está basado en el cuento sobre Shakhriar y su hermano de Las Mil y una Noches.
Hace 2 días · Palermo ha strutturato l’opera e a partire dall’assolo La morte del cigno che Michel Fokine coreografò per Anna Pavlova nel 1901. Il cigno d’altronde è una trasformazione dell’umano e anche qui è presente un’interferenza nella realtà: la pattinatrice ha un viso strano, come fosse una pelle più spessa del normale, forse una maschera, si comprende meglio quando si avvicina al ...
