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  1. Hace 3 días · Cultura. Lyle Mays, músico, arquitecto, matemático y el sonido de Pat Metheny Group. Nació en Wisconsin –centro-oeste de Estados Unidos– en 1953. Su madre era pianista y su padre tocaba la guitarra. Las teclas lo llamaron, por lo que, a los 14 años, ya era el organista en la iglesia de su localidad. por Eduardo Saldeña julio 6, 2024 1:26 pm.

  2. Hace 5 días · Lyle Mays. From his legendary status and strong voice in the Pat Metheny Group to his sparsity of solo recordings and trepidations about the music business (“The music business left us.”), enjoy a conversation with the self-proclaimed non-jazz keyboardist, Lyle Mays.

  3. Hace 5 días · Keyboardist-composer Lyle Mays, a longtime collaborator with Pat Metheny, died on Feb. 10 after a prolonged illness. He was 66. An innovative synthesizer player whose glistening, floating textures and formidable, touching solos on grand piano provided a key element of the Pat Metheny sound, Mays was also co-composer of many potent ...

  4. Hace 4 días · The Legacy of Lyle Mays Is on Display in Eberhard, His Final Recording. by Allen Morrison. In the spectrum of jazz, with well-considered composition on one end of the continuum and free jazz on the other, Lyle Mays, the late pianist, keyboard whiz and composer, was a proponent of classical principles: “a champion of structure, organization ...

  5. Hace 18 horas · Lyle Mays – Before You Go (1988) One of the great fusion keyboard / synth players, Lyle Mays is mostly known for his work in the Pat Metheny Group, though his solo output shouldn’t be ignored. “Before You Go” off of Street Dreams is a mellow cruiser that rides along an amazing digital keyboard bassline (slap preset?) played by Mays himself.

  6. Hace 3 días · PARTITIONS and TABLATURES of this arrangement are available on my website http://www.yannvietjazzandcrunchguitar.fr/Scores_Partitions.O.htm (section #22). "J...

  7. Hace 4 días · The ensemble proves themselves to be a well-oiled syncopation machine from the thrilling twists and turns of opener “Chorinho,” by keyboardist Lyle Mays. Its fast, fluid unison melody is delivered with laser focus by Pinheiro’s guitar and Ellis’ clarinet.