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  1. Hace 4 días · In George Balanchine’s The Nutcracker™, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besie...

  2. Hace 3 días · Almost fifty years ago, I attended a New York City Ballet performance of George Balanchine’s Coppélia. Somewhere in the middle of the first act, I decided I wanted to dance. You know the rest of this story. Coppélia is all about the dancing, and the music, and the laughter, colors, costumes, and scenery. It may have the same effect on you as it did on me all those years ago.

  3. Hace 1 día · Born in Ukraine in 1886, Varvara Andryevna Zmoudsky would later be known as Barbara Karinska, Madame Karinska or more simply, Karinska. She was one of choreographer George Balanchine’s most significant collaborators and together they worked on 75 ballets including Serenade and Jewels, but her most groundbreaking innovation came during the 1950s with the ‘powder puff tutu’ for Balanchine ...

  4. Hace 2 días · Choreographer Emily Coates returns with a work-in-progress performance about George Balanchine’s legacy. The project, the culmination of a weeklong residency at the Wadsworth, uses Balanchine’s short yet pivotal history in New England as a point of departure to think about how the body and spirit of dance artists scatter, living on in unexpected places.

  5. Hace 2 días · NEW YORK (AP) — New York City Ballet, one of the world’s premier dance troupes, has been celebrating its 75th anniversary all year. But while the company founded by George Balanchine is getting older, its audience is skewing younger. And that’s all part of the plan, to ensure the company’s future and, in a broader sense, the continued ...

  6. Hace 2 días · New York City Ballet, one of the world's premier dance troupes, has been celebrating its 75th anniversary all year. But while the company founded by George Balanchine is getting older, its audience … This item is available in full to subscribers ...

  7. Hace 2 días · The two, both former dancers at the storied troupe founded by George Balanchine, have made it a key goal to bring in a younger audience to ensure the company's long-term health — and more broadly, to guard the vitality of a centuries-old art form. It seems to be working.

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