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  1. Hace 2 días · The Sydney Opera House is a multi-venue performing arts centre in Sydney, New South Wales, Australia. Located on the foreshore of Sydney Harbour, it is widely regarded as one of the world's most famous and distinctive buildings and a masterpiece of 20th-century architecture.

  2. Hace 2 días · 4m 58s. Brought to you by. ABC Radio National. One of the most successful operas ever composed by an Australian, Hamlet has played to - and won over - audiences from New York to the UK and Germany ...

  3. Hace 3 días · On opening night (20 July) Sydney audiences had high expectations. While it is musically esoteric at times, the opera is also entertaining – a hard feat to pull off given Shakespearean text is not a comfortable read at the best of times. And, let’s be honest, Hamlet is not an easy tale. For those who need a quick and simple refresher, it is ...

  4. Hace 4 días · The Grand Organ. The Sydney Opera House Grand Organ is the world's largest mechanical tracker-action pipe organ. It is located in the concert hall of Sydney Opera House in Sydney, Australia, and was designed by Ronald Sharp, who was assisted by Mark Fisher, Myk Fairhurst and Raymond Bridge.. It is in six divisions, five manuals plus pedals, and is the largest tracker action organ ever built ...

  5. limelight-arts.com.au › reviews › hamlet-opera-australiaHamlet (Opera Australia)

    Hace 5 días · Opera Australia presents Hamlet at Joan Sutherland Theatre, Sydney Opera House until 9 August.

  6. Hace 4 días · Dean’s opera, his second, was commissioned for the Glyndebourne Festival in the UK, where it premiered to great acclaim in 2017. It has since been staged at the Adelaide Festival, New York’s Metropolitan Opera and, most recently, at the Munich Opera Festival and now the Sydney Opera House. I only hope we get to see it Brisbane one day.

  7. Hace 2 días · He began the opera as a shadowy black ghost walking around at the pompous party celebrating the new king and his (Hamlet’s, that is) mother’s nuptials, a subtle nod to his father, the “real” Ghost of the play. Both the King (Rod Gilfry) and his new wife, Gertrude (Catherine Carby) were reassuringly confident singing their parts.

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