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  1. Hace 2 días · On July 12, the sixth album from Steeleye Span – Now We Are Six – will be reissued via Chrysalis Records with new remastering (from original analogue tapes) for a 50th Anniversary Edition. This new packaging will present the original album, the UK single edit of “Thomas The Rhymer”, and four rare February 20, 1974 BBC Sessions performance tracks.

  2. Hace 5 días · After the band’s 1970 debut album Hark!The Village Wait, which featured both Gerry Conway and Dave Matatcks on drums, Steeleye Span had only used percussion sparingly on their following albums.By 1972’s Below The Salt, new bassist Rick Kemp also played drums, but following 1973’s Parcel Of Rogues the band made the decision to add a full-time drummer to their ranks.

  3. Hace 4 días · “Now We Are Six” was the sixth studio album from seminal British Electric Folk band Steeleye Span. Following on from a run of albums which solidified the band as the premier UK Folk outfit, Six featured a more pronounced Rock influence as Nigel Pegrum was added as full-time drummer, David Bowie guested on a version of “To Know Him Is To Love Him,” and Jethro Tull’s Ian Anderson was ...

  4. 6 de mar. de 2024 · Steeleye Span recorded Demon Lover in 1975 with quite different verses for their seventh album, Commoners Crown. Their source seems to be Child 343 E which is from Motherwell’s manuscripts. Sarah Ogan Gunning sang The House Carpenter on her 1976 Rounder album The Silver Dagger .

  5. Hace 4 días · Popularized by Steeleye Span - there are suggestions it was used as an Irish rebel song. We play it in sessions at the ’top of the South (Island)’ New Zealand often accompanying the dance “All Around My Hat”.

  6. Hace 5 días · “Madam Will You Walk” is a traditional folk song brought to life by the British folk rock band Steeleye Span. It is a song with simple yet powerful lyrics, exploring themes of rejection and missed opportunities in love.

  7. Hace 4 días · Steeleye Span learned Boys of Bedlam from The Halliard via the Farriers and Tom Gilfellon. They recorded it in 1971 for their album Please to See the King, and this track was later included on the Martin Carthy anthology, The Carthy Chronicles.