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  1. Hace 1 día · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  2. en.wikipedia.org › wiki › HamletHamlet - Wikipedia

    Hace 6 días · The contrast (appearance and reality) is also expressed in several "spying scenes": Act two begins with Polonius sending Reynaldo to spy on his son, Laertes. Claudius and Polonius spy on Ophelia as she meets with Hamlet. In act two, Claudius asks Rosencrantz and Guildenstern to spy on Hamlet.

  3. Hace 6 días · ACT __ SCENE __. ACT 1 SCENE 5. Explanation. -Hamlet is dealing with the discovery that his father was murdered by Claudius and that he must avenge him. "O all you ____ of ______". "O all you host of heaven". "Hold ____ my _____". "hold, hold my heart". "______ globe".

  4. Hace 3 días · Act 3, Scene 1: Hamlet's Soliloquy ("To be, or not to be") : In this speech, Hamlet wonders if it's better to live or die and fears what might happen after death. Act 5, Scene 1: The Graveyard Scene ("Alas, poor Yorick!"): Here, Hamlet holds the skull of Yorick, a former court jester, and thinks about death and what comes after. 3.

  5. Hace 6 días · Hamlet criticising himself for his lack of action regarding avenging his father's murder. He has organised a play within a play to finally have confirmation of the King's guilt to he can at last kill him. His lack of action is highlighted throughout this scene as we hear of Fortinbras being a man of action regarding his decision making

  6. Hace 6 días · Bernardo relieves Francisco of guard duty. 1.Bernardo relieves Francisco of guard duty. 2.Marcellus tells Bernardo that Horatio does not believe their story about the apparitions. 3.The Ghost of Hamlet's father appears, but stalks away when 4.Horatio commands it to speak. 5.Marcellus asks Horatio why such a strict nightly watch has been set at ...

  7. Hace 1 día · Hamlet, Act 5, Scene 2, 4–8 After Hamlet , Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". [213]