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Hace 1 día · Brian’s original deity was Phil Spector, whose direct influence you can hear in “Don’t Worry Baby,” but it was “Rubber Soul” that changed the game. Brian heard it as a concept album ...
Hace 2 días · The post-concert party featured live performances from Harrison and Preston, after which a "roaring drunk" Phil Spector played a "unique" version of "Da Doo Ron Ron". The celebrations broke up in the early hours once Keith Moon of the Who began smashing up the drum kit, which actually belonged to Badfinger's Mike Gibbins .
Hace 5 días · So he brought in Phil Spector,” he continued. “Poor old Phil, it’s not really his fault. He had to tart it up – literally, put tarts on it. And a few strings.” The ‘Let It Be’ songwriter admitted that he enjoyed the final product but felt the unrefined strength of the early cut was superior.
Hace 2 días · Raised in Hawthorne, California, Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader.
Hace 4 días · The record's production is similar to Phil Spector's Wall of Sound, in which layers of instruments and complex arrangements are combined to make each song resemble a symphony. Springsteen said that he wanted Born to Run to sound like "Roy Orbison singing Bob Dylan, produced by Spector".
Hace 1 día · Their influences are talked about: Chuck Berry, The Four Freshmen, doo-wop, The Everly Brothers, The Ventures, Dick Dale and The Del-Tones, Phil Spector’s Wall of Sound, and yes even The Beatles. You can really hear the doo-wop influence in “Pamela Jean” , which is “Car Crazy Cutie” with different lyrics, personally I like “Pamela Jean” better.
Hace 5 días · The album succeeded Death of a Ladies’ Man. Released two years earlier and produced by Phil Spector, Death of a Ladies’ Man had been trashed by the critics who reputed it as an overproduced, inappropriate and chaotic mess, which completely clashed with Cohen’s downbeat nature.
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