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  1. Hace 5 días · Sarris coined the term auteur theory in an essay called Notes on the Auteur Theory, building on the ideas we’ve just looked at. In 1968 he wrote a book that talked about the greatest American film directors and their pivotal role in the films they made. This book was a huge success and this is why Sarris is generally considered to be the one ...

  2. en.wikipedia.org › wiki › Film_noirFilm noir - Wikipedia

    Hace 5 días · Film noir ( / nwɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.

  3. Hace 5 días · Cinematography: Has a higher budget than videography. This is because cinematographers use more specialized equipment and a larger crew. ... Not quite. It’s important to note that these are just general guidelines. There is some overlap between the two disciplines, and the specific needs of each project will vary.

  4. Hace 2 días · It is critical to note that a motion picture is very different from a play, with the cinematographer bearing the sole responsibility of depicting the distinction. Therefore, stirring up the emotions of fear, happiness, humor, or sadness by mastering a cinematic syntax developed for decades forms the core of cinematography.

  5. Hace 3 días · The director of photography in cinema is one of the most influential figures. It covers different technical areas in the shooting of a video or film, from lighting and optics to issues of voltage, electrical distribution, colorimetry and recording and projection formats. His work is closely linked to that of the director, being one of the heads ...

  6. Hace 1 día · As an actor, Blanchett is a two-time Oscar winner with a host of credits, including seminal titles like The Aviator, The Talented Mr. Ripley, Elizabeth, Notes on a Scandal, and Carol.

  7. Hace 2 días · Cinematographer Subrata Mitra developed the technique of bounce lighting, to recreate the effect of daylight on sets, during the second film of the trilogy and later pioneered other effects such as the photo-negative flashbacks and X-ray digressions.