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Hace 5 días · by Matt Micucci. In 1964, composer Carla Bley wrote a piece celebrating trailblazing filmmaker Ida Lupino, the only working female director within the ‘50s conservative and male-dominated Hollywood studio system. The song was composed for her then-husband, pianist Paul Bley.
Hace 5 días · A posthumous gem for pianist Paul Bley and drummer Paul Motian, it’s only the third official release by their inspired trio with bassist Gary Strands of history are woven into the beguiling tapestry of When Will the Blues Leave, a luminous artifact that’s been released 20 years after its live recording in Lugano in 1999.
Hace 5 días · Related: Paul Bley, Pulse Drummers. Improvising... “I mean, that’s what improvisation is. It is the ability to communicate with the geniuses that have preceded us, to come with reverence to obtain some personal meaning from their universe and translate it for ourselves and give to those who follow.”
Hace 5 días · These compositions were “highly patterned and repetitive,” unlike others of hers from the time, such as “Ictus,” which were unpredictable and sometimes without a pulse.”. “Ida Lupino” was first recorded by her then-husband, pianist Paul Bley, at Mirasound Studio in New York City, New York, in 1964.
Hace 5 días · Carla Bley: 1964: Collective Forms & clusters: Batterie Paul & Carla Bley: Paul Bley: 1964: Anchoring complex songs: Refuge by Andrew Hill: Andrew Hill: 1964: Dominant Subs : And Now the Queen by Carla Bley: Paul Bley: 1965: Straightforward harmony with a complex bass line: Erato: Andrew Hill : 1965: Minor Blues: The Jody Grind Horace Silver ...
Hace 4 días · 1959年5月録音。. 今更ながら思うが大胆なタイトル。. オーネット・コールマン自身が、このタイトルを付けたとは到底思えない。. 彼は自分がやりたかった音楽をやったに過ぎないはずだ。. LPのライナーノーツでは、「完全な名盤ならぬ名盤としてジャズ史 ...
Hace 2 días · Get Bley / Motian setlists - view them, share them, discuss them with other Bley / Motian fans for free on setlist.fm!
